Interdisciplinary Humanities

Out of the Past and Into the Night:
The Noir Vision in American Culture

Spring 2016 - Volume 33.1

Guest Editor: Doré Ripley

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Articles in Interdisciplinary Humanities
from April 2003 to the present can be accessed through EBSCO databases, including Academic Search Premier.

Contents

Editor's Introduction

     Doré Ripley     California State University, East Bay

3
   
Scream to Screen: The Philosophical and Aesthetic Origins of Film Noir
     William F. Burns     Brookdale Community College
11
   
The Film Noir Doppelgänger: Alienation, Separation, Anxiety

     Ed Cameron     University of Texas - Rio Grande Valley

33
   
Photo Essay: The Role of Locations in Film Noir Movies
      Brian Hollis     Independent Scholar
48
   
Joseph H. Lewis and the Changing Noir Vision of American Culture from Gothin Heroines to Cold War Gangsters
     Sheri Chinen Bisen     Rowan College
63
     
Reviving Noir: An Interview with Eddie Muller
     Doré Ripley     California State University, East Bay
77
   
"Why Do You Make Me Do This?": Spectator Empathy, Self-Loathing Lawmen, and Nicholas Ray's Noir Vision in On Dangerous Ground
     Kevin Henderson     Drury University
84
   
The Lady from Shanghai: A Re-Working of the Noir Standard

     Austin Pidgeon     Brophy College Preparatory

98
     
Choosing "between the morality of the law and the morality of Simple justice": The Intersections of Culture, Justice, and National Identity in Orson Welles's Touch of Evil (1958)
     Geoffrey Green     San Francisco State University
111
   
Advocating Incredulity: Orson Welles, Film Noir, and the Suspension of Belief  
     Ezekiel Crago     University of California at Riverside
123
   
Black Widow, Gender Criticism, and the Narrative Agency of the Femme Fatale  
     Larry T. Shillock     Wilson College
136
   
Cool Girls and Bad Girls: Reinventing the Femme Fatale in Contemporary Fiction  
     Kenneth Lota     University of North Carolina, Chapel Hill
150
   
Christopher Nolan's The Dark Knight Trilogy as a Noir View of American Social Tensions  
     Patrick Kent Russell     University of Connecticut
171
   
Book Review: European Cinema After the Wall: Screening East-West Mobility by Leen Engelen and Kris Van Heuckelom
     Jennifer Nagtegaal     The University of British Columbia
187
 
Book Review: Supernatural and Philosophy: Metaphysics and Monsters...for Idjits by Galen A. Foresman
     Monica J. Stenzel
191
   
Book Review: Clint Eastwood's America by Sam B. Girgus  
     Anton Karl Kozlovic     Deakin University
195
   
Notes on Contributors
201
   
Editorial Policies
206
   
HERA Membership/IH Subscriptions
207
   
Front Cover image - Steven Yu, hands on and digital media. www.cargocollective.com/stevenyu
   

Back Cover image - Steven Yu, hands on and digital media. www.cargocollective.com/stevenyu

Executive Editor - Ronald Weber

Co-Editors - Stephen Husarik and Lee Ann Elliott Westman

Book Review Editor - Edmund Cueva

This issue of Interdisciplinary Humanities is partially underwritten by the Humanities Program at the University of Texas at El Paso.